The Great Combat for the Title

hemingway vs fitzgerald

The title in a story is like a person’s face: often the first thing you notice, and the first thing that either catches your attention or leaves you cold.

A title that doesn’t fit can burden a book or a film with the expectations it raises. It can also carry it an extra mile. Ask Steven Soderbergh and his Sex, Lies and Videotape (which of course  started the 90s trend of trifecta titles, as in “This thing, That thing and also that other thing“).

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I’m Your Greatest Idol

INT. RESTAURANT — NIGHT

A YOUNG COUPLE enjoy a good meal at a fancy restaurant in New York. The year is 2009.

TAMSIN

This place is amazing!

PHIL

I know! Everybody says this is the real thing this year.

TAMSIN

You sure we can afford this?

PHIL

Don’t worry about that. Tonight’s a special night.

Someone clears his throat. Phil turns his head and finds DAVID BOWIE squatting by his side, grinning.

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A Nasty Building

1024px-Segregated_cinema_entrance3
African-American patron going in colored entrance of the Crescent Theatre in Belzoni, Mississippi, on a Saturday afternoon. 1939 PHOTO: Marion Post Wolcott

“My rubber heels slithered on the pavement as I turned into the narrow lobby of the Fulwider Building. A single drop light burned far back, beyond an open, once-gilt elevator.

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Slow Death (Blog rescues)

Wild_Bunch_still_opening_scene

Once upon a time I kept a blog on Filmcommunity.com. Back then I thought backup was for cowards, so of course when the site closed I lost all but a few texts. I’d like retrieve those surviving posts, starting with this one.

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